Terminology - Gender

Composition 

C.U

Match on Action - editing 

Shot reverse shot - camera or editing 

180 degree Rule - continuity - camera or editing 

Ambient -Dialogue 

Diegetic and non-diegetic 

Foley 

Establishing sound or shot 

Setting - location or studio 

Pan 

Props  

Camera: 

-shots(c.u, e.c.u, m.s, l.s, e.l.s, w.s, p.o.v, o.t.s) 

-angles (high, low, eye level) 

-movement (pan, tilt, tracking)

-composition 

-

Editing:

-cutting

-shot reverse-shot

-an eyeline match

-graphic match

-match on action 

-jump cut 

-cross cutting 

Sound: 

-diegetic and non-diegetic

-synchronous/asynchronous 

-sound effects 

-sound motif 

-sound bridge 

-dialogue 

-voiceover 

-direct address 

-soundtrack 

Masculinity-

-low angle 

-C.U (Can be intimate so feminine as well)

-shot rev. shot (promanace) 

-cutting 

-eyeline match

-pace 

Femininity- 

-high angle 

-L.S (isolated, loneliness, depends on setting and location. If it's masculine shows the character as independent) 

-transitions (fade, dissolve, wipe) 

-eyeline match